ANGEL: Vamediah (VMD+IH)

Pronounced: Va-med' -i-ah
BANNER: HVIH
POLARITY: Moon
TYPE: Severity
SIDE: Left
SEX: Female
ELEMENT: Water
QUALITY: Mutable
SIGN: Pisces
HOUSE: Twelfth
DIRECTION: North-northeast
STONE: Sapphire (blue)
TRIBE: Issachar
APOSTLE: Bartholomew
ENOCHIAN GOD NAME: TEAA
ENOCHIAN SENIOR: Aapdoce

APPEARANCE: Thin limbs; a long, thin neck; small head with short, straight hair, very glossy and of a dark-brown color. Small nose and ears; dark blue eyes surrounded by blue shadows under the skin; poor posture; very thin hands held limp at the wrists; a small, pale mouth and weak chin. Small breasts, narrow hips.

NATURE: Unsure and vacillating, hesitant, touchy about criticism, confused, extravagant, emotional. Tends to be secretive and likes to place burdens upon others shoulders. Outwardly submissive but inwardly resentful. She cares jealously for those she loves and tends to smother them with attention.

FUNCTION: Protecting a loved one, particularly from self-destructive behavior. Watching over animals. Creating works of art of a fantastic or dreamlike type. She aids in the expression of psychic communications such as automatic writing. Enforces service and self-sacrifice upon those who would flee from their responsibilities.

ANGEL: Demuel (DMV+AL)
Pronounced: Dem' -u-el
BANNER: HVIH
POLARITY: Sun
TYPE: Mercy
SIDE: Right
SEX: Male
ELEMENT: Water
QUALITY: Mutable
SIGN: Pisces
HOUSE: Twelfth
DIRECTION: North-northeast
STONE: Sapphire (blue)
TRIBE: Issachar
APOSTLE: Bartholomew
ENOCHIAN GOD NAME: TEAA
ENOCHIAN SENIOR: Alndvod

 

APPEARANCE: Soft, overweight figure of below average height; wavy, dark-brown hair on a round skull; pale complexion with a tendency to perspire; small nose and small ears that lie flat; very dark blue eyes; heavy eyelids and dark, arched eyebrows; a sensual mouth with a full bottom lip and a weak chin.

NATURE: Intuitive and aware of subtle emotional currents, psychic, creative in the lyrical arts such as poetry and music, highly impressionable, easily expresses feelings, very sympathetic to others. This angel is the happiest near the seashore. Smiles but rarely laughs.

FUNCTION: Songwriting, music, the dramatic arts, matters of faith or belief. Achieving empathy with others. Protection of seamen or those who travel by sea. Attaining purity. Caring for the sick. Protecting and caring for animals. Encouraging pleasant dreams.

https://www.nachtkabarett.com/AlchemyAndKabbalah/Tetragrammaton

h

https://archive.org/details/boyd-rice-iconolast

http://www.throbbing-gristle.com/tg-files/tg-files/tg_symbol.html

THE THROBBING GRISTLE FLASH SYMBOL

Throbbing Gristle adopted the flash symbol as their primary logo in 1976. They wanted an image that was both memorable and familiar and which could incorporate the letters TG. It also needed to be a graphic that could be easily adapted with different colours and glyphs. A GLC (Greater London Council) High Voltage Danger sign was noticed by Chris Carter near a railway line in Hackney and he suggested it as a possible candidate to the rest of TG, who liked it and agreed to adopt it. It was first commercially used by TG as a free sticker included with the release of their first album ‘The Second Annual Report in 1977. As can be seen in the images below the TG flash symbol has gone through multiple adaptions, modifications, variations of colour and backgrounds. The most recent revision of the TG symbol (last updated by Peter Christopherson in 2010) incorporates the Buddhist ‘endless knot’ motif into the design.

The flash symbol, in its various forms, is actually a universally accepted symbol for ‘danger electricity’ and as such TG couldn’t register or copyright their version of the symbol. In fact (as it later transpired and unbeknown to TG at the time) David Bowie had used the same symbol inside a circle and of near identical shape and proportions to the TG flash for his Ziggy Stardust tour of 1973, although in the 1980s Bowie changed his flash logo to be more ‘top heavy’.

David Bowie

British Union of Fascists (BUF)

The symbol of the modern Satanic Age. The four pointed star, a lightning bolt, the black widows red mark, the combination of sun and ice in runes! --Stanton LaVey

the couch

 

Impossibly Nazi

Just look at all the glitterati 

Simmers of celluloid sinners

Art survives the rewrite from the winners

History may woe unto the vanquished but while it’s written by the victor, the sculptures and stains stay;

Primordial, primal memory

Nostalgic dementia 

Delusion for a different illusion 

The grass is always greener

Until Demeter’s cold shoulder turns

Hades takes Persephone and unleashes harsh winter

Oh, Hiroshima:

Once for an instance as bright as the sun’s gleam

Searing shadowy etches

Its just a bunch of wretches

Cancerous pestilence—

—take the Middle East, give much thanks to 20th century Britain and France

Kill the middle-man

Centrism is a death sentence

Purity, a point of pride

If revealed to the public, the puritan’s personal life, surely they tend to die

So we “burned all the good things in the Eden eye”

Paper and Pennie’s collected compulsively

Erratically, incessantly; counterproductively

Peachy in the breeze

Pupils dilated, mind 6 feet under up in the sky

Vices to get by

Docile

Domestically disposable 

Neutrality is fatality

Demagoguery is faculty 

Claiming pedigree 

from a pale, frail emasculated eunuch

hanging from a tree

Semitic stupidity, Abrahamic authoritarianism

All which you proclaim noble only ordains enslavement

Falling to the water

Icarus flew too close to Apollo

like a hammer to the pavement 

of 8 billion people

Obliteration is an asteroid away

“Imminent annihilation sounds so dope”

“All good art has only one purpose— to show man his own true face, and its only prerogative must be the necessity to find out the truth at all cost.” —Zbigniew Karkowski, ‘The Method Is Science, The Aim Is Religion’

Golden statues

Bibles:

glorified blood libel; fable

Idols

so quickly deplorable

“Hopeless and disposable”

“I got my scratcher and I’m gonna win the lotto”

Giving in

In the end we’re already with the dodo 

 A set-in-stone belief is a rock in a hard place; an anchor, a staple. It drags one down if it becomes the sole lense through which one views things, then it’s a snare and a trap. There’s a reason apologetics are called apologetics. Beliefs in of themselves are held by everyone on some level, it’s the black and white fundamentalism where things get convoluted. 

The Infernal Church Special (an event from July 27, 2022)

 

Infernal Church Special Coverart

The Infernal Church Special was a 24 hour radio show hosted on The Infernal Church discord server (2022-2024), masterminded by Claudia berdella and Baphy Myers, aided by Xulf the satanic pipe smoking raccoon as well as one other guy who had a mental breakdown and left a long the way and with him the possibility of a Lee Banks (church of rational Satanism) interview. It was the conclusion to the Summer of Bugbee and in imitation of the original 24 hour Might Is Right Special, we were so cool we got an interview with Shane Bugbee for the finale! Three 16 year olds, 24 hours; interviews, music, madness and peanut butter & jelly to dumping heads in ice buckets and Jehovah's witness' children's cartoons, it's a blast to hear. 

https://archive.org/details/p1_20250326

Claudia Berdella and Baphy Myers interview Joseph Rose (from the special): https://archive.org/details/joseph-rose-hail-satan-podcast-interview

The Shane Bugbee Interview finale: https://dn721601.ca.archive.org/0/items/p1_20220804/infernal_church_vs_shanebugbee.mp3

by Claudia Berdella & Baphy Myers

Baphy Myers & Claudia Berdella interview Shane Bugbee about his life, art, involvement in satanism, and thoughts on what satanism has evolved into the present day. This live interview was one of two interviews featured in The Infernal Church Special and a conclusion to both the special and The Summer of Bugbee event held in The Infernal Church.

The Infernal Church Special: https://archive.org/details/the-infernal-church-special

Link to Infernal Church: https://discord.gg/4GuRrjktW9

Links Mentioned

https://www.churchofsatan.com/interview-mf-magazine/

http://www.subgenius.com/

https://archive.org/details/sufferandcelebrate_ebook

https://m.youtube.com/watch?v=C_TtTEw9w4s

https://www.churchofeuthanasia.org/

https://youtu.be/-2-pITJQWeU

https://archive.org/details/satanicjoy_bugbee

https://archive.org/details/MightIsRightSpecial

https://open.spotify.com/show/0yENcPJT4y4JDtcRyNlbmT?si=89fe8a4ea53649fd

https://open.spotify.com/episode/1Dt9fFN9rqYlJWExw7ueMH?si=73b2dd9152864a73

Witches Sabbath 2025 stream archive

 

drop out: a lamentation

 

radio show 1 featured extras

                                                                          

Dresden Daily (by me) bit: https://claudiaberdellascorner.blogspot.com/2025/03/cash-explosion.html

the og writing:

audio: https://archive.org/details/dresden-daily 

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Pilleater- A talk with Cosmic Encounter Game Designers Peter Olokta, Greg Olokta, & Bill Elirbie https://starktruthradio.com/?p=3802/ https://youtu.be/wwI5YPsniNg?si=yUBEhydNiEo9PCMU

Robert Stark and Pilleater talk to Peter Olotka, Greg Olokta, and Bill Elirbie. They designed the game Cosmic Encounter. Their newest game is Game of Thrones: The Iron Throne.

Topics:

-The history and origins of Cosmic Encounter, Nauset Beach, Science-Fiction, “The List.”
-Diversity in Cosmic Encounter, the game existing before Dungeons & Dragons,
-How the game breaks rules and      pushes imaginary limits
-Star Trek, The Parker Brothers prototype in 1976, Non-prediction gameplay,
-the extended number of aliens in Cosmic Encounter
-The first edition of Cosmic, the artists behind the game, Harlan Ellison, Dean Morrissey,
-The situational theory in Cosmic
-Cosmic Encounter Online, Dune the Board Game, Issac Asimov,
-The art in Cosmic Encounter, Felicia Cano
-Cosmic Dominion
-Game of Thrones: The Iron Throne
-Prototyping and technology
-Balance and Unbalance within games
-Cosmic Encounter as both a toolbox for game designers and for telling story narratives
-Isaac Asimov’s Robots VCR Mystery Game
-Hippy culture, Cosmic Encounter as an avant-garde art piece
-Different editions of Cosmic Encounter
-Board game culture, the new fad of “gamer” culture
-The problem of video games, violence in video games
-The game design differences between Iron Throne and Cosmic
-The Star Wars story and Parker Brothers

Audio Player

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https://bombassrecipes.com/-bomb-ass-recipes-from-the-kitchen-of-bill-ayers-and-bernardine-dohrn

Bomb Ass Recipes from the Kitchen of Bill Ayers & Bernardine Dohrn

Publisher’s Description:

Experience history like never before with Bomb Ass Recipes from the Kitchen of Bill Ayers & Bernardine Dohrn, a one-of-a-kind cookbook that brings the flavors of rebellion straight to your table. Curated by Shane Bugbee, a renowned underground publisher and counterculture icon, this collection isn’t just a peek into the pantry—it’s a journey through the radical lives of two of America’s most controversial revolutionaries.

Bill Ayers and Bernardine Dohrn were leaders of the Weather Underground, an organization that challenged the U.S. government through bold direct actions and underground movements in the 1960s and 70s. Despite their tumultuous careers as political fugitives and social activists, one thing remained constant: the power of a shared meal. From dishes cooked in hiding to hearty family recipes served during activist gatherings, this cookbook weaves together food and radicalism, offering readers a unique lens into how shared meals fueled the movement and strengthened bonds.

Highlights:

- Never-before-seen family recipes straight from the kitchens of Ayers and Dohrn, thoughtfully preserved and lovingly presented.

- Exclusive handwritten notes, personal anecdotes, and interviews that capture the spirit and philosophy of two revolutionary lives.

- Curated by Shane Bugbee, a celebrated voice in underground publishing whose bold, transgressive approach brings depth and edge to this historical culinary journey.

With a mix of humor, nostalgia, and rebellious energy, Bomb Ass Recipes is more than just a cookbook—it’s a time capsule, a conversation starter, and a must-have for anyone interested in the intersection of food, history, and social change. Whether you’re a foodie, a history buff, or just someone who likes to spice up their kitchen routine with a dash of counterculture, this book will nourish your mind and your soul.

Grab your copy today and taste the revolution!