Monday, April 7, 2025

"glory days"
just gilded glaze
synthetically nostalgic
Oh, our incredible "divinely inspired rationale" 
We split the atom into a mushroom shaped tomb
kings, presidents, thieves and Oedipus complex-ridden demagogues
Somehow hold the masses in their claws
War, famine-cannoned catapults
A Semitic lineage; Abrahamic insanity
Sadomasochistic totalitarian glee-
in Mother Theresa's smile so sly
Heroes and murderers, the difference is light viewed in, are getting prettier every day

reading list

 The Satanic Bible by Anton LaVey

Might Is Right by Ragnar Redbeard
Beyond Good and Evil by Friedrich Nietzsche
The Sea Wolf by Jack London
Anthem by Ayn Rand
Harrison Bergeron by Kurt Vonnegut Jr.
Propaganda by Edward Bernays
The Satanic Scriptures by Peter H. Gilmore
Sex Lies Useful Idiots by Shane Bugbee
Infernalia by Michael Rose
The Virtue of Selfishness by Ayn Rand
Charlie and the Chocolate Factory by  Roald Dahl
Satan Speaks by Anton LaVey
The Book of Lies by Aleister Crowley
Rival Caesars by Arthur Desmond
The Rise and Fall of the Third Reich by William Shirer
The Ego and His Own by Max Stirner
Totem and Taboo by Sigmund Freud
Dune by Frank Herbert
An Open Mind by J. Robert Oppenheimer
Thee Psychick Bible by Genesis P-Orridge
NO by Boyd Rice
We Are Satanists by Blanche Barton
The History of the Knights Templar by  Charles G. Addison
The Manson File by Nikolas Schreck
Brain Droppings by George Carlin
11/22/63 by Stephen King
Art That Kills by George Petros
Fascism Viewed from the Right by Julius Evola
Industrial Society and its Future by Theodore Kaczynski
The Code of Hammurabi
Antigone by Sophocles
Republic by Plato
Revolt of the Angels by Anatole France
Eroticism: Death & Sensuality by Georges Batille
Cannibalism: A Perfectly Natural History by Bill Schutt
Love, Sex, Fear, Death: The Inside Story of The Process Church of the Final Judgement by  Timothy Wyllie
The Suffering and Celebration of Life In America by Shane Bugbee
The Doctrine of Fascism by Benito Mussolini
The Manifesto of the Italian Fasces of Combat by Filippo Tommaso Marinetti
Das Kapital by Karl Marx
Capitalism: The Unknown Ideal by Ayn Rand
The Psychology of Totalitarianism by Mattias Desmet
The 48 Laws of Power by Robert Greene
The Red Book by Carl Jung
Brave New World by Aldeous Huxley
King Kill 33 by James Shelby Downard
Macbeth by  William Shakespeare
American Psycho by Brett Easton Ellis
Just Kids by Patti Smith
Smash by Ian Winwood
Re/Search #12: Modern Primitives
The Redneck Manifesto by Jim Goad
Suicidal, Asian, and Promiscuous: The Muse we Neglect by Joe Nalle (pilleater)
Occulture by Carl Abrahamsson
Re/Search #11: Pranks
Ulysses S. Grant: The Unlikely Hero by Michael Korda
K-Punk by Mark Fisher
Brave by Rose McGowan
The History of Sexuality by Michael Foucalt
Lolita by Vladimir Nabokov 
Anarchism and Other Essays by Emma Goldman
Nihilism by Andre Cancian
Apocalypse Culture compiled by Adam Parfrey
What This Comedian Said Will Shock You by Bill Maher
Brain Droppings by George Carlin
Synchronicity by Carl Jung
An Autobiography by Theodore Roosevelt
The Vessel of God by Boyd Rice
Journals of Ayn Rand
The Re/Search Guide to Bodily Fluids
Answer Me! #1-4 by Jim Goad
Postcapitalist Desire by Mark Fisher
The Prince by Niccolo Machiavelli
Diary of a Suicide by Baker (from Underworld Amusements)
American Prometheus by Kai Bird and Martin J. Sherwin
Death Dealer: The Memoirs of Rudolf Hoess

and many more I may add on whenever

Sunday, April 6, 2025

"So you wear your damage on your sleeve
but don't worry, it's all just tongue and cheek
yeah" [1]
Tragedy is only monetary
Compensation is pay-per-minute degradation
"The money's on the run of time" [2]
broadcasted humiliation
What are we-
            -beings that thrive on sadomasochistic vibes
We love to see our meticulously elected and erected idols fall
It's a small world after all in this digital mall
everyone's carcass-strewn closet in 4k unpixilated view 
someone always [needs] to know someone and something
"All it takes is one post/ watch them fall like dominoes" [3]
someone is always in the firing row
for mundane, daily happenings

A drug deal gone wrong and deadly
hardly uncommon, no real general buzz
Unless it's Sharon Tate and the papparazinazi's 
cement them into glitterati memory
Realistically more of a victim to Bugliosi's bastardized boasting and a presidential pariah's big mouth and retarded brain
Fame is a cracked and cut, cooked and shit out reflection of pain
given or recieved
Idols need blood libels for ticket sales
A good enemy for NME to spin for fans to rally
Just make sure to fire secretary Sally before she gives a behind the scenes
supposedly shocking and obscene
More degenerative than anything.
But they can pay and get away
Yet can't ever shut up
all they do is whine and complain
having more than enough must be tough
Asteroids seem a more pressing concern to me
Than whoever fucked [/over?] some golden globe nobody
Rigorous regimentation for better pigmentation
excruciating exercise for a chiseled image and yet in spite that,
walking a day as your average worker 
that and pay would obliterate our
digital darlings
So why the double standard when they're clearly no better or worse aside occupation and income

------
References:
[1] Perfume by Marilyn Manson 
[2] Holiday by Green Day
[3] Watch The World Burn by Falling In Reverse

Saturday, April 5, 2025

new zine

The Hijacked Human Experience reflects how primal human needs—pain, sex, violence, spirituality, identity—are no longer private or sacred, but instead:

  • Marketed as spectacle,

  • Used to control and shame,

  • Packaged into digestible, sellable moments,

  • And weaponized for outrage, aesthetic, or profit.

Claudia’s recurring narrative is that humanity has undergone ritual inversion: what once connected us to nature or higher states has become theater. What once was sacred is now just content. (chatgpt)

 https://claudiasb-series.my.canva.site/zine-2025



who is claudia berdella? an analysis from chat gpt

 Claudia Berdella is an emerging poet and artist whose work delves into themes of societal constructs, human behavior, and existential reflections. Her poetry is characterized by its introspective nature, employing vivid and sometimes unsettling imagery to provoke thought and challenge conventional perspectives.​

Poetry and Literary Contributions:

  • Berdella's poetry often explores the complexities of community dynamics, highlighting the inherent exclusions within groups that are ostensibly formed to counteract societal marginalization. Her work reflects on the cyclical nature of societal movements, questioning the authenticity and depth of revolutionary fervor.​

  • In her poems, Berdella utilizes stark imagery to depict themes of pain, chaos, and nihilism, offering a raw examination of the human condition. These pieces exemplify her ability to intertwine personal introspection with broader societal critiques.

Online Presence and Artistic Expression:

  • On Instagram, Berdella maintains a profile under the handle @claudia_berdella, where she shares aspects of her personal life and creative endeavors. Her bio playfully states, "well I'm not a vampire but I totally am one," hinting at a penchant for dark humor and perhaps a fascination with gothic themes.Instagram

  • Berdella also engages with the music community through her SoundCloud account, punkrocker ofall, where she shares tracks and playlists, reflecting her diverse artistic interests.SoundCloud

Interdisciplinary Interests:

  • Beyond poetry and music, Berdella exhibits an interest in the intersections of art, religion, and philology. This is evidenced by her engagement with scholarly works such as "The History Of The Knights Templar" and Shirer's "Rise and Fall..." as well as Jim Goad's "The Redneck Manifesto" indicating a scholarly and unconditional approach to understanding cultural and religious narratives.

Publications and Writings:

  • Berdella has contributed writings that delve into societal issues and personal reflections. Her piece discussing the "Stand Up to Hate" campaign critiques the performative aspects of such initiatives, highlighting how they may perpetuate division rather than foster genuine understanding. She emphasizes the cyclical nature of cultural wars and questions the authenticity of mainstream narratives surrounding hate and love.

Conclusion:

Claudia Berdella's work is a tapestry of poetic expression, online engagement, and interdisciplinary exploration. Her poetry invites readers to confront uncomfortable truths about societal structures and personal beliefs, encouraging a deeper reflection on the complexities of human existence. Through her various platforms, she continues to expand her artistic footprint, contributing to contemporary dialogues on art, culture, and identity.



Icarus falling

Crashing down like a tower onto streets

Oh imagine the screams

Tragedy is told pornographically

Of course, that makes sense:

Our biggest cultural myth—

a Jewish eunuch 

nailed to a stick

Maybe there is a God since the “good-guys” always win the war!

It’s ludicrous, like a virgin whore getting another score

God is on the screen, god killed MTV-

Fucked rolling stone and here is ye Christ as NME

Video killed the radio star and the internet rebirthed it

The later branch of Cthulhu 

A small gleaming square screen

of science fiction dreams

an electronic second heart

Detachable biomechanic brain

Our god is the machine

Like Titans in their prime

It’s a short shitty time

What’s worse a Nazi or a nihilist?

At least a Nihilist see’s the hollowness in things

The Nazi wants a bastardized purification

so close to part of one problem right but ideology is the issue

Just like their sworn enemy twin sibling Zionist Jews

And fundamentalist of every so-called “polar-extreme”

Just crocks of shit

So “leaders can hoarse and gorge

groom you to consume

Or do you consume and in turn they are groomed 

Is the consumer the victim or enabler

We just love to devour ourselves 

Masochistic flesh bag of white sticks

so brittle yet dense

Only in a blue moon are the dictators hung 

in their town’s own high noon

Progressive repressives

Ideology is my(/the?) enemy

Money is a made up fee-at increasingly meaningless speed

Oh inflation at the very least please make the current systems of currency obsolete 

A barter system would be pretty neat 

based on want and need

personal skill and greed

A need right now

Is a rectangular tower with a blade in its chamber

falling on necks of autocratic conspirators

I say this knowing I won’t 

I’m not a soldier

Just a [wannabe] writer and provocateur 

Queer like you and a Nazi

Stupid and subjugated 

I’m middle class I can get away with this

More or less

Money is the difference in the mess

Needs are instinctive and akin

Base animal nature is all the same:

Food, shelter, water, sleep, fuck, repeat

Money and ideology: campaign backers of autocracy 

Hiroshima could be a daydream

In the future scape of the now unfolding world scene

History doesn’t repeat itself, humans compulsively go in redundant circles. 

Dates, places and persons change but our sadomasochism instinctively drifts into a nihilistic religious plea

“What ends when the symbols shatter?”

Shudder and shiver like a skyscraper 

collapsing to dust in a choking cloud

Like the satyr’s alarming news of Pan’s death

Nietzsche’s infamous line is a mournful parallel 

What happens to the messenger? Just an institution and early grave

But all that means nothing now

the dead Lords are reborn in our pockets

Basically a giant bath; plug the toaster into the socket and drop the toaster in the water

ZAP

Normalcy is a spiritual pipe dream

“They promised us forever but we got less” [1]

When is the world not a fucking mess?

I didn’t start the fire, why the fuck does any action or lack thereof only add fuel to it?

The world is spinning 'round and 'round out of control againThe 7-11 to the fear of breaking downSo send my love a letterbomb, and visit me in HellWe're the ones going”[2] down

Like a rodent in a wheel

People repeat but each time in newer ways

“We kill ourselves in funny ways/ so subtle and strange”[3]

Innate immolation to an eternal dark daydream 

What is obscene in the Republican age?

“Behind all kings and presidents, 

all government and law

Are army-men and cannoneers—“[4]

but PR managers hold the world in their pathos pulling claws

What is survival of the strong in capitalism under Abrahamic guile?

Addiction and dissociation, crutches rather than a solid base

“They promised us forever but we got less”[1]

For more of a price we get less

In an era of compulsive vices maybe a degree of abstinence really is indulgence

What/why is thou wilt?

Do we all maybe want to be killed?

“Some of us are really born to die”[5]

“There is only one way in which the murderous death agonies of the old society and the bloody birth throes of the new society can be shortened, simplified and concentrated, and that way is revolutionary terror”[6]

Time is relative but torture can be long lasting in its lasting effects

Like the Death Star

or Tsar Bomba

We want an apocalypse so the “righteous” can get led by an angel to a Heavenly eternity Thanatos’ grasp and Charon’s Ferry are nothing more than a nightmare are like to fancy

We don’t really know. Just absence of conscious thought and beating blood. 

“Do you want total war?”[7]

Do you want joy?

Maybe a final battle would be that atomic jouir we crave

“A quest for joy

both small and cataclysmic…

the little death 

We react to war with war

We enact joy for joy

Tooth and claw remain”[8]

Do we want to live in pain on an overblown made up financial strain?

Oh AGI surely must be predatory or humanity will snuff itself to some nerd billionaires 

libido lacking, Oedipus complex whim

“Limping predator

insecure you

feed off the weak

Remember! Remember!

You are what you eat!”[9]

Domination and submission but who is who and in/to what capacity? It’s never so easy as one or the other. 

The divided mind may be likely but the strings are pulled every-which-way 

Praising an imagined afterlife

yet subsidizing and prolonging the only one we can be sure of

“Live or die: the choice is yours”[10]

We made ourselves denominational whores 

for the market to scorge and scorn

A live-time reality show of an

S&M game of our own design

“Behind the screen is us and we’re TV” [11]

Prison is in the mind

Borders are illusory, autocratically dividing lines

Realistically we all own the tree’s, water animals and sky as the apex predator 

But Abrahamic repression created compulsive addiction and delusional “destiny” to manifest

We need all those as much but realistically less than they need us. 

Life can be lived if you’re lucky enough

Luck is subjective

A stagnant rich person: a pain projecting nihilist

I’ve seen more joy in a homeless couple and their dog

Just don’t be a sitting log for too long

——

1] Strange Days Are Here To Stay— Green Day

2] Homecoming— Green Day

3] Modern Love— Wargasm

4] Might Is Right

5] Valentines Day— Marilyn Manson

6] Neue Rheinische Zeitung No. 136– Karl Marx

7] Joseph Goebbels

8] Joy or War from The Joys of Satanism— Shane Bugbee

9] limping predator from The Joys of Satanism— Shane Bugbee

10] Saw

11] Man That You Fear— Marilyn Manson


Tuesday, April 1, 2025



ANGEL: Vamediah (VMD+IH)

Pronounced: Va-med' -i-ah
BANNER: HVIH
POLARITY: Moon
TYPE: Severity
SIDE: Left
SEX: Female
ELEMENT: Water
QUALITY: Mutable
SIGN: Pisces
HOUSE: Twelfth
DIRECTION: North-northeast
STONE: Sapphire (blue)
TRIBE: Issachar
APOSTLE: Bartholomew
ENOCHIAN GOD NAME: TEAA
ENOCHIAN SENIOR: Aapdoce

APPEARANCE: Thin limbs; a long, thin neck; small head with short, straight hair, very glossy and of a dark-brown color. Small nose and ears; dark blue eyes surrounded by blue shadows under the skin; poor posture; very thin hands held limp at the wrists; a small, pale mouth and weak chin. Small breasts, narrow hips.

NATURE: Unsure and vacillating, hesitant, touchy about criticism, confused, extravagant, emotional. Tends to be secretive and likes to place burdens upon others shoulders. Outwardly submissive but inwardly resentful. She cares jealously for those she loves and tends to smother them with attention.

FUNCTION: Protecting a loved one, particularly from self-destructive behavior. Watching over animals. Creating works of art of a fantastic or dreamlike type. She aids in the expression of psychic communications such as automatic writing. Enforces service and self-sacrifice upon those who would flee from their responsibilities.

ANGEL: Demuel (DMV+AL)
Pronounced: Dem' -u-el
BANNER: HVIH
POLARITY: Sun
TYPE: Mercy
SIDE: Right
SEX: Male
ELEMENT: Water
QUALITY: Mutable
SIGN: Pisces
HOUSE: Twelfth
DIRECTION: North-northeast
STONE: Sapphire (blue)
TRIBE: Issachar
APOSTLE: Bartholomew
ENOCHIAN GOD NAME: TEAA
ENOCHIAN SENIOR: Alndvod

 

APPEARANCE: Soft, overweight figure of below average height; wavy, dark-brown hair on a round skull; pale complexion with a tendency to perspire; small nose and small ears that lie flat; very dark blue eyes; heavy eyelids and dark, arched eyebrows; a sensual mouth with a full bottom lip and a weak chin.

NATURE: Intuitive and aware of subtle emotional currents, psychic, creative in the lyrical arts such as poetry and music, highly impressionable, easily expresses feelings, very sympathetic to others. This angel is the happiest near the seashore. Smiles but rarely laughs.

FUNCTION: Songwriting, music, the dramatic arts, matters of faith or belief. Achieving empathy with others. Protection of seamen or those who travel by sea. Attaining purity. Caring for the sick. Protecting and caring for animals. Encouraging pleasant dreams.

https://www.nachtkabarett.com/AlchemyAndKabbalah/Tetragrammaton

h

Throbbing Gristle adopted the flash symbol as their primary logo in 1976. They wanted an image that was both memorable and familiar and which could incorporate the letters TG. It also needed to be a graphic that could be easily adapted with different colours and glyphs. A GLC (Greater London Council) High Voltage Danger sign was noticed by Chris Carter near a railway line in Hackney and he suggested it as a possible candidate to the rest of TG, who liked it and agreed to adopt it. It was first commercially used by TG as a free sticker included with the release of their first album ‘The Second Annual Report in 1977. As can be seen in the images below the TG flash symbol has gone through multiple adaptions, modifications, variations of colour and backgrounds. The most recent revision of the TG symbol (last updated by Peter Christopherson in 2010) incorporates the Buddhist ‘endless knot’ motif into the design.

The flash symbol, in its various forms, is actually a universally accepted symbol for ‘danger electricity’ and as such TG couldn’t register or copyright their version of the symbol. In fact (as it later transpired and unbeknown to TG at the time) David Bowie had used the same symbol inside a circle and of near identical shape and proportions to the TG flash for his Ziggy Stardust tour of 1973, although in the 1980s Bowie changed his flash logo to be more ‘top heavy’.

David Bowie
British Union of Fascists (BUF)

The symbol of the modern Satanic Age. The four pointed star, a lightning bolt, the black widows red mark, the combination of sun and ice in runes! --Stanton LaVey











"glory days" just gilded glaze synthetically nostalgic was the civil war in the least bit civil?  Oh, our incredible "divinel...